Creator Breakdown: invoked Monosuke discovers his father in the middle of one during Kuma & Kubs Theatre 0, having had his mind and spirit broken by the Squicky discovery of Monotaro and Monophanie keeping it in the family.Broken Tears: Celestia starts shedding them during the climax of Junk Hand, Hoping for a Flush, mistaking them for rain.Junk Hand, Hoping for a Flush has another example when K1-B0 kills Sasshiki in self-defense, which Nagito sees as an unforgivable betrayal of his morals.Her regard for his handiwork takes a severe blow after Isshiki is killed, and the other Madarais start getting themselves killed as well in increasingly rapid succession. Celes hired Madarai Isshiki because he was the best of the best.After his death, however, he scorns him as being 'just another piece of hopeless garbage'. Komaeda once admired Amami Rantaro, seeing him as somebody who possessed just the sort of Hope he admires above all else.Black Comedy: Runs rampant in the Kuma & Kubs Theatre segments.well, they're just trash like him, aren't they? Anyone who wavers or compromises in any way. He wants to find an Ideal Hero, somebody completely unblemished by Despair, and use his Luck to help them survive the game. Black-and-White Insanity: Komaeda subscribes to an 'all-or-nothing' philosophy when it comes to Hope.Alternate Universe: Not just in the sense of being a different mutual killing game many of the cast come from different circumstances as well.Both sides realize too late that neither side contained said Agent. Junk Hand, Hoping for a Flush ends with a doozie: K1-B0 and the Madarais slaughter each other, each side hoping that doing so means that they will kill the Agent of Despair and earn their way off the island.All of Shinguuji's plans come to a crashing halt when they accidentally kill Fuyuhiko, with Miyadera instantly abandoning him for the mistake.Komaeda views the events of his last killing game this way, as none of the Hope he was hoping for emerged from it.